Remarkable Resources

*download the Step by Step Movement Cards

Movement experiences are an important piece of my everyday work with clients of all ages.  In one school setting, the Occupational Therapist, Speech Pathologist, and myself collaborate with a group of high school students with special needs.  Our collaborative goals for this class center around: prevocational skills, optimal fitness and mobility, sequencing skills, reading and interpreting information, developing creativity, leadership and communication skills.  In order to address these skills through music, I developed creative dance cards that could be used everyday.  The cards can be implemented on the days I am not there working with the group since I am only there 2 times a week.

I sorted the cards into 4 different categories.  Yellow- upper body movements, Green- lower body, Purple- generate a movement from a picture/symbol, Orange- visualize a scene and create a movement.  During a session, one card from each category is selected. In the beginning, I keep the order of the cards the same (yellow, green, purple, orange). Students take turns selecting the cards, reading the cards, interpreting the movements, or creating the movements.  After deciding on the four movements, I may select one student to lead the group during one song.

Often different students will have their own interpretation of a movement after reading a card.  This is great as long as the basic directions are followed!  The best part about using the cards is that they can really be used with almost any kind of music!  Give it a try.  Pick one card from each category and then sequence the four movements. Try  sequencing the movements to any style of music.

Ideas for Extending the Experience:

1. Use an auditory cue (like a triangle) to assist the group in moving from one movement card to the next.

2. Have a student select the way the cards are sequenced.

3. Use one sequence for the verses of a song and select new cards for the chorus.

4. Leave one card color out of the sequence and see if the group can create their own movement.

5. For the A section of a song use the basic sequence of four movements.  For the B section, extend or alter each of the four movements in some way.

6. Create new color categories like: locomotor, non-locomotor, movement adverbs, animal movements, movement levels, etc.

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Helping songwriters navigate through their creativity and the songwriting process.


Adventures In Songwriting: My Process

Guest Post by Rachel Rambach, MM, MT-BC

There’s a learning curve involved in honing any new skill, and songwriting is no exception.  My early days as a songwriter were filled with experimentation and abandoned attempts, but that is what led to the process I use today – the one that works best for me.

I’ll start with the big question: which comes first, the lyrics or the music?  My music therapy intern and I were just discussing this the other day, and it turns out that we have different answers.  The good news is that there is no right answer.

Personally, I like to start with the lyrics.  Most of the songs I write have an educational or therapeutic purpose, and I need to make sure that all of the necessary content is covered.  But the cool thing is that as I type the lyrics, a melody inevitably manifests itself in my head.  I keep my iPhone nearby so that I can use the voice recorder app to record it before it escapes.

My songs follow a predictable formula, because my music therapy students like predictability.  My chorus needs to be catchy and contain the most valuable information, since it is repeated several times throughout each tune.  The verse is where I can get down to the specific details, whether I’m writing a song about rhyming words or buckling a seatbelt.

Once I’ve completed my lyrics, it’s time to make sense out of the melody I hummed into my iPhone earlier.  I like to use paper and pencil for this part, so I usually print out my double-spaced lyrics and get down to work.

After playing through the chords I’ve figured out based on the melody, I type them into the computer to complete my lead sheet.  Next comes my favorite part: recording.  But that’s another topic for another day :)

Be sure to visit my blog, Listen & Learn Music, to read the first post in my “Adventures In Songwriting” series as well as upcoming installments.  A big thanks to Wade for the invitation to guest post here at Time for Music!

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Remarkable Resources: Video Demonstration of “The Richards’ Modified Tuning for Adapted Guitar”

January 16, 2011

This video shows a variety of students using the Richards’ Modified Tuning for Adapted Guitar.  The E-book is available at The Music Therapy Tween website or you can order a hard copy for a limited time in the Books section on my website. Recommend on Facebook Share with Stumblers Tweet about it Subscribe to the [...]

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“You’re Wonderful”- storybook and song

February 24, 2010

Special thanks to music therapist Kathleen Coleman for sharing this “Remarkable Resource”! From Kathleen: I found a wonderful illustrated songbook “You’re Wonderful” http://www.rainbowswithinreach.com/Page2.asp It has great, affirming words: I think you wonderful I think you’re marvelous I think you’re beautiful and magical and filled with curiosity and dreams…. It is illustrated on each page with [...]

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One: USB Audio Interface

February 16, 2010

After cashing in my coin jars I was able to purchase the ONE. It is an USB Audio Interface which allows me to plug in an instrument or microphone directly into my MAC and record with Garage Band. Initially the sound quality of my recordings improved for sure. Does anyone else have one? Do you [...]

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Resource for reasonable musicals

February 10, 2010

When trying to decide what musical to do with my Spotlight Theater group at Hochstein, I stumbled across this website: http://www.pioneerdrama.com/musical-full.asp They have a variety of musicals and other plays that you can purchase online.  The rates for the scripts and royalty fees are posted and very fair!  They also have MP3′s of most of [...]

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